Scenes From A Marriage
The review aggregator website Rotten Tomatoes reported a 81% approval rating with an average rating of 7.50/10, based on 48 critic reviews. The website's critics consensus reads, "Though Scenes from a Marriage's straightforward approach at times struggles to justify its existence, Jessica Chastain and Oscar Isaac's crackling chemistry and impressive performances are a sight to behold."[16] Metacritic gave the series a weighted average score of 70 out of 100 based on 24 critic reviews, indicating "generally favorable reviews".[17]
Scenes from a Marriage
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Scenes from a Marriage (Swedish: Scener ur ett äktenskap) is a 1973 Swedish television miniseries written and directed by Ingmar Bergman. Over the course of six hour-long episodes, it explores the disintegration of the marriage between Marianne (Liv Ullmann), a divorce lawyer, and Johan (Erland Josephson), a psychology professor. The series spans a period of 10 years. Bergman's teleplay draws on his own experiences, including his relationship with Ullmann. It was shot on a small budget in Stockholm and Fårö in 1972.
After initially airing on Swedish TV in six parts, the miniseries was condensed into a theatrical version and received positive reviews in Sweden and internationally. Scenes from a Marriage was also the subject of controversy for its perceived influence on rising divorce rates in Europe. The film was ineligible for the Academy Award for Best Foreign Language Film, but won the Golden Globe Award for Best Foreign Language Film and several other honours. The miniseries and film version influenced filmmakers such as Woody Allen and Richard Linklater. It was followed by a sequel, Saraband, in 2003, and stage adaptations. It was also adapted into an HBO miniseries in 2021.
Bergman wrote the teleplay for Scenes From a Marriage over three months. He drew on his personal experiences, including his relationship with Ullmann; his unhappy, eventually dissolved marriages to Käbi Laretei and Gun Hagberg; and the marriage of his parents, Karin and Erik Bergman. As a boy, he had witnessed his parents violently wrestling, with Karin slapping Erik and Erik pushing her against a wall. Ingmar also found his mother could be manipulative.[6][7][8]
In Sweden, Scenes from a Marriage received positive reviews for its dialogue and realism, with Mauritz Edstrom calling it "one of Bergman's finest human portrayals".[10] Åke Janzon said that while the miniseries was not a masterpiece, it demonstrated psychological tension. Swedish director Maj Wechselmann criticized it on feminist grounds, saying it failed to criticize marriage roles.[10] Bergman replied that the miniseries was meant to depict "Marianne's liberation" and female "suppressed aggressions".[16] One controversy revolved around allegations that Scenes From a Marriage led to higher divorce rates in Sweden and around Europe by teaching couples to communicate their conflicts.[17][18] Swedish divorce rates allegedly doubled one year after the miniseries was broadcast in 1973.[19][20] In 2013 Rachel Halliburton disputed these allegations in Time Out magazine, remarking that sexual and women's liberation were gaining prominence at the time and that the miniseries "as such was as much a symptom of what was happening to modern marriage as a cause".[21]
The National Board of Review named Scenes from a Marriage one of the top foreign-language films of 1974.[30] It sparked controversy when its ineligibility for the Academy Award for Best Foreign Language Film was questioned. The supposed reason was that it aired on television before it played in cinemas, but at the time that did not necessarily render a film ineligible. In this case, it was because the TV broadcast occurred the year before its theatrical debut in 1974.[31] The film's ineligibility prompted 24 filmmakers, including Frank Capra and Federico Fellini, to write an open letter demanding the rules for eligibility be revised.[31]
Bergman's 1980 television film From the Life of the Marionettes centres on a couple named Peter and Katarina, loosely based on the supporting characters of those names in Scenes from a Marriage.[36][37][38] Bergman also wrote the first stage adaptation of Scenes from a Marriage for the Residenztheater in Munich in 1981.[39] Saraband, a quasi-sequel set decades after the original miniseries, aired on Swedish television in 2003.[40] In 2008, a theatrical adaption by Joanna Murray-Smith was performed at the Belgrade Theatre in Coventry, directed by Trevor Nunn and starring Imogen Stubbs and Iain Glen.
Knots Landing creator David Jacobs based the series on Scenes from a Marriage.[41] Shashi Deshpande informally adapted it into the screenplay for Govind Nihalani's Drishti in 1990.[42][43] In 1991, Woody Allen costarred in Paul Mazursky's Scenes from a Mall, a dark comedy about a deteriorating marriage.[44][45] Allen's similarly realist 1992 film Husbands and Wives is also influenced by Scenes from a Marriage.[46] Some critics compared Allen's Annie Hall (1977) to Scenes from a Marriage.[47][48]
In an April 2011 New York Times Opinionator article titled "Too Much Relationship Vérité", Virginia Heffernan compares An American Family to Scenes from a Marriage: .mw-parser-output .templatequoteoverflow:hidden;margin:1em 0;padding:0 40px.mw-parser-output .templatequote .templatequoteciteline-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0
In June 2013, actor Ethan Hawke and director Richard Linklater said Scenes from a Marriage was the standard by which their Before Midnight must be judged.[50] Russian director Andrey Zvyagintsev initially conceived Loveless (2017) as a remake of Scenes from a Marriage,[51] with critics also comparing Zvyagintsev's finished product to Bergman's miniseries.[52][53] Noah Baumbach's Marriage Story (2019) also contains references to Scenes from a Marriage.[54][55]
And that is what Bergman has been able to accept, the source of his reconciliation: Beyond love, beyond marriage, beyond the selfishness that destroys love, beyond the centrifugal force that sends egos whirling away from each other and prevents enduring relationships--beyond all these things, there still remains what we know of each other, that we care about each other, that in twenty years these people have touched and known so deeply that they still remember, and still need.
Deadline understands that production on the limited series has been halted for two weeks after two positive Covid tests from members of the production. The pair are in isolation and, in accordance with safety protocols, those who were in close contact are being quarantined. The production is undergoing deep cleaning, data tracking and retesting of all production members.
I wanted to ask about the opening and closing shots of Oscar Isaac and Jessica Chastain before the scenes start and, in the finale, when they end. What do you want to say about including those behind-the-scenes moments in each episode?
The recently-concluded HBO series Scenes from a Marriage is a refreshed take on the 1973 Swedish Ingmar Bergman drama by the same name, written and directed by Hagai Levi and starring Oscar Isaac and Jessica Chastain. In this updated version, Jonathan (Oscar Isaac) and Mira (Jessica Chastain) grapple with their relationship as it disintegrates. The prospect of facing their end forces them to confront their history, their partnership, and themselves as they try to disentangle from the fraying identity that they have built together.
Episodes of the series begin and end with our characters as actors, entering the space of a scene from their marriage. We see Jonathan and Mira rehearse lines in a script, accept notes and feedback, interact with a production crew, and traverse the immaculate set that is their home. The façade of a set seamlessly gives way to the drama of their lives, illustrating their marriage itself as a performance. Scenes from a Marriage, in this manner, boldly endeavors to illustrate marriage as the ultimate performance: a performance of external expectations of what a marriage should be; the performance of being a partner.
While we may culturally idealize marriage as a defining act of romantic commitment between two people, the reality is that marriage exists on a strange, very public plane of social expectations. Marriage is viewed at the cultural level as the ultimate end goal of committed couples, the ideal starting point for childrearing, and a milestone of adulthood that any functioning member of society is expected to reach. As members of a culture, there is a vested interest in encouraging the institution of marriage and a larger shared ritual of the ideals and expectations we attach to the union.
I can't tell if this is a deeply painful and cynical film, or a deeply painful and romantic one. No one is happy in this film, but in the end, some semblance of connection seems to have survived. It shows marriage to be a psychologically difficult enterprise, a bleak and angry settling, a series of lies and pretensions. It utterly destroys marriage. It rips it to shreds. And yet, in the end, two people come together and comfort each other. They know each other. They understand each other, it seems, perhaps.
Ingmar Bergman's epic mini-series, Scenes from a Marriage, is a brilliant, intimate observational study of a couple's marriage. At the start of the film, Marianne (Liv Ullmann) and Johan (Erland Josephson) have been agreeably (if not always happily) married for ten years. Bergman's film meets a couple that seems to have it all together, peels back the façade, and shows us the tension right under the surface.
Scenes from a Marriage is depressing. I didn't cry and I didn't emotionally connect with the two characters. I just walked away from the film depressed with no hope on love ever lasting. After the three hour movie; I turned it off, jumped in my car, and went to get ice cream to cheer myself up. 041b061a72